Tropes: Stuffed in the Fridge

Tropes are all around us, on TV, in books, film, and video games. They  allow us to compartmentalize concepts so that our brains don't have to waste too much processing power over-thinking certain ideas, which is both good and bad. After all, when two guys show up with bad Italian/Brooklyn accents in nice suits, our brain tells us that they are gangsters and we don't have to over think it. The authors, directors, and character actors of the world would tell us this is a good thing. After all, these two goons will probably be killed off in the next scene by our hero and the audience doesn't need twelve minutes of back story to understand that Goon #2 joined the crime family after his mother's store was tragically lost in a fire and he had nowhere to turn for money but the crime boss that ran his old neighborhood, thus embroiling him in a life of crime that has caused part of his humanity to wear away even as he still regrets the terrible things that he has had to do, and all the while all he wanted to be was a baker. (Consequently, I think I also just wrote the biography of the Cake Boss.) See, even writing all that down in a semi-sarcastic manner took up more time and attention than might really be deserving of a character that will get a total of thirty seconds screen time. Tropes allow us to enjoy a story without getting bogged down in the minutia of what we are missing. Because otherwise, you get The Song of Ice and Fire, and we all know how long it takes George R.R. Martin to write one of those books.

However, tropes aren't always great either. After all, the Italian American League might have a problem with Goon #1 and Goon #2 being typical Tony Soprano-like figures. Not all Italians are in the mafia, after all. Similarly, not all women exist just to be tragically killed and left in household appliances... What am I talking about? I'm talking about the trope called "Stuffed in the Fridge," which is when a hero's loved one, usually a wife/girlfriend is killed in a gruesome manner and then left around for the hero to find and tragically cry over. This cliche than gives the hero something fight for and becomes an easy way for the audience to compartmentalize what drives the hero to do the extreme things he is forced to do. Now, technically this trope can apply to any family member: mother, father, brother, sister, wife, pet dog Skippy, etc. However the dead character is more likely to be a woman and the hero character is more likely to be a man. If you don't believe me, check out Gail Simone's website Women in Refrigerators for a complete list of women in comics that have been killed off for no other reason than to motivate the men in their lives to do something.

This is going to take a lot of boxes of baking soda.

The trope itself comes from a now famous Green Lantern comic, where the villain, Major Force, kills Kyle Rayner's girlfriend, Alexandra DeWitt, and literally stuffs her into a refrigerator so that Kyle can find her mutilated body, like some two month old pastrami left in the back of the fridge. Like I said before, tropes have their places and they aren't all bad, but there is something particularly negative about this one. First off, it is lazy writing. If you want to motivate your characters than put a little more thought into the process that, "pissed-off over dead girlfriend." Secondly, it uses women characters as nothing more than cheap props who live and die at the whim of their male counterparts. Whenever a writer needs a quick motivating factor there always seems to be some vanilla girlfriend/wife character hanging around to kill off. I mean otherwise that character would just get in the hero's way, wanting him to settle down and be domesticated and all, because everyone knows that's all women want... right? (That was sarcasm folks) Basically the trope puts the female character at the beckon call of the male hero. She's not there to be a fully formed character, but a pretty face on a photograph that is clenched angrily in the righteous fist of our burly man-hero, as he wrestles with desire for vengeance and his guilt over not being able to save his bland, pretty, vaguely characterized love interest. This is a trope and a way of thinking that is all too, unfortunately, common, especially in comic books.

Maybe that's why I am enjoying the irony of Agent Carter. (Wait, did he just switch into doing a television review?) Peggy Carter, or Captain America's girlfriend, is proving very much that she will not be so quietly stuffed into some womanly appliance. The irony of the show is that it is the big strong hero, Captain America, who is in fact dead (well she thinks so anyway,) and it's his death that is one of the driving factors in Peggy's personal crusade. In this instance the hero is gone, (he may not be stuffed in a fridge but he is in a place that's plenty cold,) and it's the "unimportant," girlfriend character that is left to do the ass-kicking. It's a parallel that was made pretty stark in the last episode, "Bridge and Tunnel," where the entire show was interspersed with snippets of the fictionalized Captain America Adventure Hour radio serial, featuring a typical damsel in distress character that only exists so that the fictionalized fictionalized Captain America can save her from those 'damn Nazis.'

Carter even gets her own, "Refrigerator" moment, when she discovers her roommate dead in bed with a bullet straight through her temple. It was a pretty textbook example of the trope, as well. The gruesome yet pointless death of a person close to the hero, meant to serve as nothing more than a motivating factor to further that hero's guilt/anger and story, except that in this instance, the hero is a woman. Unfortunately the person who was "Stuffed in the Refrigerator" was also a woman.

Feminism

I will admit that, Agent Carter, isn't perfect. After all Peggy Carter is so busy being brilliant and infallible that she has almost no flaws to speak of as she outsmarts every sexist man in her office. She is not a hero like Tony Stark, who can be arrogant, or Peter Quill, who can be kind of an idiot at times. For better or worse, because she is Marvel's first leading lady, she has to be better than human, which is both commendable and a little sad. I mean, from a 2015 perspective it is pretty easy to be on Carter's side as she is faced with a brand of 1940's sexism that is so blatant it would make J. Jonah Jameson feel ashamed. After all, we may waggle our finger when Carter's boss makes her do filing work or get everyone a cup of coffee, but we still don't bat an eyelash when Black Widow is put in a skintight cat suit. Yet, it is hard for me to be too harsh on the morals of Agent Carter. After all, they may not be perfect but at least she isn't occupying space behind the milk carton in the back of Captain America's ice-box.